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Macbeth is presented as a mature man of definitely established character, successful in certain fields of activity and enjoying an enviable reputation. Macbeth is actuated in his conduct mainly by an inordinate desire for worldly honors; his delight lies primarily in buying golden opinions from all sorts of people.
But we must not, therefore, deny him an entirely human complexity of motives. Macbeth is his own worst enemy essay also rejoices no doubt in the success which crowns his efforts in battle - and so on.
He may even conceived of the proper motive which should energize back of his great deed: The service and the loyalty I owe, In doing it, pays itself. In the main, as we have said, his nature violently demands rewards: Now so long as these mutable goods are at all commensurate with his inordinate desires - and such is the case, up until he covets the kingship - Macbeth remains an honorable gentleman.
He is not a criminal; he has no criminal tendencies. But once permit his self-love to demand a satisfaction which cannot be honorably attained, and he is likely to grasp any dishonorable means to that end which may be safely employed.
In other words, Macbeth has much of natural good in him unimpaired; environment has conspired with his nature to make him upright in all his dealings with those about him. But moral goodness in him is undeveloped and indeed still rudimentary, for his voluntary acts are scarcely brought into harmony with ultimate end.
As he returns from victorious battle, puffed up with self-love which demands ever-increasing recognition of his greatness, the demonic forces of evil-symbolized by the Weird Sisters-suggest to his inordinate imagination the splendid prospect of attaining now the greatest mutable good he has ever desired.
These demons in the guise of witches cannot read his inmost thoughts, but from observation of facial expression and other bodily manifestations they surmise with comparative accuracy what passions drive him and what dark desires await their fostering.
Realizing that he wishes the kingdom, they prophesy that he shall be king. They cannot thus compel his will to evil; but they do arouse his passions and stir up a vehement and inordinate apprehension of the imagination, which so perverts the judgment of reason that it leads his will toward choosing means to the desired temporal good.
Indeed his imagination and passions are so vivid under this evil impulse from without that "nothing is but what is not"; and his reason is so impeded that he judges, "These solicitings cannot be evil, cannot be good. His autonomous decision not to commit murder, however, is not in any sense based upon moral grounds.
Without denying him still a complexity of motives - as kinsman and subject he may possibly experience some slight shade of unmixed loyalty to the King under his roof-we may even say that the consequences which he fears are not at all inward and spiritual, It is to be doubted whether he has ever so far considered the possible effects of crime and evil upon the human soul-his later discovery of horrible ravages produced by evil in his own spirit constitutes part of the tragedy.
Hi is mainly concerned, as we might expect, with consequences involving the loss of mutable goods which he already possesses and values highly. After the murder of Duncan, the natural good in him compels the acknowledgment that, in committing the unnatural act, he has filed his mind and has given his eternal jewel, the soul, into the possession of those demonic forces which are the enemy of mankind.
He recognizes that the acts of conscience which torture him are really expressions of that outraged natural law, which inevitably reduced him as individual to the essentially human.
This is the inescapable bond that keeps him pale, and this is the law of his own natural from whose exactions of devastating penalties he seeks release: And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale.
He conceives that quick escape from the accusations of conscience may possibly be effected by utter extirpation of the precepts of natural law deposited in his nature. And he imagines that the execution of more bloody deeds will serve his purpose.
Accordingly, then, in the interest of personal safety and in order to destroy the essential humanity in himself, he instigates the murder of Banquo. But he gains no satisfying peace because hes conscience still obliges him to recognize the negative quality of evil and the barren results of wicked action.
The individual who once prized mutable goods in the form of respect and admiration from those about him, now discovers that even such evanescent satisfactions are denied him: And that which should accompany old age, As honor, love, obedience, troops of friends, I must not look to have; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
But the man is conscious of a profound abstraction of something far more precious that temporal goods. His being has shrunk to such little measure that he has lost his former sensitiveness to good and evil; he has supped so full with horrors and the disposition of evil is so fixed in him that nothing can start him.
His conscience is numbed so that he escapes the domination of fears, and such a consummation may indeed be called a sort of peace. But it is not entirely what expected or desires. Back of his tragic volitions is the ineradicable urge toward that supreme contentment which accompanies and rewards fully actuated being; the peace which he attains is psychologically a callousness to pain and spiritually a partial insensibility to the evidences of diminished being.
His peace is the doubtful calm of utter negativity, where nothing matters. This spectacle of spiritual deterioration carried to the point of imminent dissolution arouses in us, however, a curious feeling of exaltation. For even after the external and internal forces of evil have done their worst, Macbeth remains essentially human and his conscience continues to witness the diminution of his being.
That is to say, there is still left necessarily some natural good in him; sin cannot completely deprive him of his rational nature, which is the root of his inescapable inclination to virtue.Is Macbeth a Hero or a Butcher? Essay ‘Macbeth’, one of Shakespeare’s shortest plays though often described as his best, was written in for the newly crowned King James I of England and VI of Scotland - Is Macbeth a Hero or a Butcher?Essay introduction.
It tells of a Scottish warrior named Macbeth who killed the King and eventually met his own gruesome end.
“It is a man’s own mind, not his enemy or foe that lures him to evil ways. ” -Buddha Through further analysis, one can depict a deeper meaning from this quote – suggesting the same hidden notions as William Shakespeare in Macbeth.
Macbeth “unseam’d [the enemy] from the nave to the chaps,/ And fix’d his head upon our battlements (2). ” This shows Macbeth’s strength and power in battle. It also displays his loyalty to the king because he kills the enemy. Macbeth is his own worst enemy essay. Pretty good poem analysis essay newton verfahren beispiel essay.
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Is Macbeth a Villain or a Victim? Updated on April 10, flighty or has no time to mourn with the enemy advancing, or perhaps his grief goes beyond words?
Having lost his wife and seen the terrible truth about his own life, Macbeth still finds the courage to go on living. When Birnam Wood comes to Dunsinane, Macbeth dares fate itself.
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