Analysis of Shakespeare's Sonnet
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Much in the same way as it's almost impossible to see the Mona Lisa as anything but a parody of itself, or hear Satie's Trois Gymnopedies without the feeling that someone's trying to sell you something — a bar of chocolate perhaps — it's initially hard to get close to the sonnets, locked as they are in the carapace of their own proverbialism.
When something becomes proverbial, it almost disappears; and worse, we're allowed to think we know it when we really don't. The sonnets are close to being one such cultural cipher. If you'd asked me a year ago, I'd have been breezily confident that I knew a fair number of them reasonably well, and had a few by heart.
Then there was the literary dinner party. A hideously exposed bluff prompted me to re-examine my avowed familiarity. At least I wasn't alone. Twain's definition of the classic, "something that everybody wants to have read and nobody wants to read" is well known, but I might also add, less memorably, that a classic is a book you can safely avoid reading, because no one else will admit they haven't either.
I took a straw poll.
Everyone said they loved the sonnets, all right; but they all named the same 10 poems. And some of those were pretty bad. The deadly boring Sonnet 12 came up a lot: Its reputation seems to have been made by the fact that someone decided it would be fun to teach to schoolchildren.
Others, such as the devastatingly insightful Sonnet Even more distressingly, more than one perfectly well-read individual remarked: So I started to make a list of questions: Do the sonnets contain what we believe them to contain? Are they still useful to us? Do these poems still move us, speak to us, enlighten us?
Is their reputation as a lovers' handbook deserved, or have they simply hitched a ride on the back of the plays? First, a word about the sonnets themselves. They consist of poems first published in as Shake-speares Sonnets.
They can be neatly divided into three main groups. The first is a run of 17 poems, which all embroider the same theme; with two or three exceptions, they are so dull it's a wonder anyone ever reads any further. These are the so-called "procreation sonnets", in which Shakespeare urges an unnamed young man to marry and reproduce, so his beauty will survive.
I agree with William Boyd who scripted a marvellous piece of free speculation for the BBC called A Waste of Shame that they read a lot like a commission, and could well have been paid for by the Young Man's mother, perturbed by his Lack of Interest in the Opposite Sex.
The second is a sequence of poems addressed, apparently, to the same Young Man. In gut-wrenching, febrile, tormented detail, they chart the whole narrative of a love affair.
Then we have a strange line poem, whose "absent couplet" seems to invoke the absent couple, and symbolise the end of the affair. Then we have 28 poems addressed to a mistress, the so-called "Dark Lady" the number 28 might echo the menses, which would fit with the poems' barely disguised obsession with the uncleanliness of women's bodiesand then a bizarre pair of poems to close with.
It's still controversial as to whether the original Quarto edition was authorised by Shakespeare, but I fall very strongly into the "there's absolutely no way he didn't authorise them" camp. The sequence has been ordered in a meticulously careful, sensitive and playful way that can only indicate the author's hand.
My reasoning is simple: The sonnets seem to have been composed between and their date of publication, — between Shakespeare's 18th and 45th birthdays. However the date refers to an isolated piece of juvenilia.
Sonnet is a sonnet so bad that only the likely youth of its author can be offered up as an excuse, while the so-called "dating sonnets" seem to imply that the larger part of the project was likely over some time before Actually understand Shakespeare's Sonnets Sonnet 1.
Read every line of Shakespeare’s original text alongside a modern English translation. Actually understand Shakespeare's Sonnets Sonnet 1. Read every line of Shakespeare’s original text alongside a modern English translation. Sonnet Sonnet Sonnet Sonnet Sonnet Shakespeare's "Sonnet " is one of poems that the poet wrote in Shakespearean sonnet style.
Each poem consists of 14 lines following an "a-b-a-b, c-d-c-d, e-f-e-f, g-g" rhyming pattern. Most of Shakespeare's sonnets explore themes of love. Essay on The Sonnet Form and its Meaning: Shakespeares Sonnet 65 - The Sonnet Form and its Meaning: Shakespeare Sonnet 65 The sonnet, being one of the most traditional and recognized forms of poetry, has been used and altered in many time periods .
Meaning of the Poem Sonnet X, also known by its opening words as Death Be Not Proud, is a fourteen-line poem, or sonnet, by English poet John Donne (–), one of the leading figures in the metaphysical poets of sixteenth-century English literature.
Shakespeare - Sonnet Analysis and Interpretation Essay Shakespeare – Sonnet Analysis and interpretation Sonnet was written by William Shakespeare and published in William Shakespeare was an English writer and poet, and has written a lot of famous plays, amongst them Macbeth and Romeo and Juliet.
Shakespeare is the greatest English dramatist, famous for the objective presentation of his deep knowledge about human psychology. He is.